Digital Exposed Seminar

Wondering what “checking in” is all about? Wondering why people and not birds are tweeting? Do you know that your business needs to sell online but don’t know the first thing about it?

Digital Exposed is a seminar…

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Black Orchid FW 12 lookbook…




via Denimology

Fans of Black Orchid’s signature sexy jeans won’t be disappointed with the release of their new FW 12 collection. The cult denim label is renowned for their attention to detail, comfort in fabric and fit for all shapes and sizes – this collection certainly ups the ante.

In the words of Denimology, Black Orchid designer, Julien Jarmoune combines the French “savoir faire” with the American “show your booty” and this season he offers super sexy jeans with leather detailing, insets, stitching, patching and prints with knife pockets.


MMMC Fashion Distributors will showcase the latest Black Orchid range at Premiere boutique trade event from August 26-28 at the Royal Exhibition Building. For more information or to register, visit premiere.net.au

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Designed with detail in mind


Renowned for making busy women feel good wherever they are and whatever they are doing, its easy to see why SPENCERLACY has developed a loyal following. Their use of luxurious materials – silk, lace, velvet, alpaca, merino and luxe knits – ensures the fabrication is sublimely soft to the touch, and reward the senses.

Established in August 2006, the directors of Melbourne-based women’s wholesaler Mission Brown noticed there was a gap in the market for beautiful seamless basics that were pretty enough to be seen and didn’t have to necessarily be hidden under a mountain of clothes. So the SPENCERLACY feminine collection of seamless camisoles, slips, leggings and spencers was born, designed with detail in mind and to flatter all shapes and sizes.


Over time, they slowly starting adding easy wear knits and luxe silk dresses to complement their seamless basis. These became so popular, they had to employee their current fashion designer, Belinda Abbott to evolve the SPENCERLACY brand into a timeless women’s wear collection.

We took five with the SPENCERLACY team to discuss their inspiration and driving influences; the story behind the name; and showing for the first time at Premiere boutique trade event from August 26-28 in the iconic Royal Exhibition Building.


Where do you source your inspiration? And how do they drive you and influence your design?

Our Design Inspiration changes season to season however for Summer 2012 we have taken our inspiration from glamorous old world colonial resorts such as Havana and St Tropez. (Please see attached Summer media release for more detail)

How do you transfer these inspirations into design? Talk us through your design process from drawing board to in-store/online?

We start with theme boards that relate to our current inspiration – we brainstorm colours, popular shapes and prints that defined that era of fashion and interpret these into modern day, thinking about the modern women and the versatility that she wants from her wardrobe.

Can you tell us the story behind the name?

We started brainstorming all words associated with the Spencer and Spencer Tracy’s name came up and we thought how about SPENCERLACY?!

You are about to showcase the brand at Premiere in August, why did you choose this event and what do you hope to gain?

We are very excited to show SPENCERLACY for the first time at Premiere this August. We chose this particular event because it is an exclusive edit of the best of women’s contemporary fashion within Australia. I particularly love showing at the beautiful Royal Exhibition Buildings in Carlton, it’s such an inspiring space which I know will only show SPENCERLACY off in its best light.

What’s in store for the future – where do you see the brand heading?

SPENCERLACY is versatile, effortless and luxe and the brand appeals to all women who appreciate style and quality whether they are 21 or 61 years of age. The success of our online store and our first ever Pop up store in Gertrude St Melbourne means that SPENCERLACY is becoming accessible to women all over Australia, New Zealand and beyond.

We now have stockists in the USA and we are looking forward to expanding into Europe and Asia sometime in the near future.


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Audi Launch with Bianca Spender & Herringbone rolling out their summer collections for 2012

Last week, Audi Centre Sydney rolled out the new improved Audi A4 and launched the Audi A1 Sportsback in conjunction with fashion labels Bianca Spender & Herringbone, both treating guests to their summer collection for 2012. Phoebe Garland writes.


It was a fun fashioned mix of a crowd, consisting of fashion folk including the newly appointed editor Kellie Hush of Harpers Bazaar, Ex- Fashion Director and freelance Stylist Jo Ferguson and a mix of Audi V.I.P’s and fashion media. Aside from the exciting new Audi A1 sportsback, which boosts a 1.2 litre engine and the new improved A4, guests were graced with bright chinos and bold gingham in checked shirts from Herringbone for the males.

Bianca Spender’s summer collection consisted of a sublime mix of colours in mixed suiting and structured dresses with hits of cobalt blue, (my personal favourite colour), vibrant green and citrus lemon. Evening dresses in lush turquoise, which seemed to balance perfectly the structured tuxedo suits the male models, were adorned with.


Guests were treated to a runway show of the summer collections and refreshingly a very generous buffet and the usual elegant canapés. Guests included, Kellie Hush, Maude Garrett, Kate Ritchie, Sireshan Kander, Gracie Otto & Jane Fleming, Jo Ferguson, Lizzie Lovette & Jane Fleming.




Phoebe Garland co-owns Garland & Garland Fashion, with Robert Garland who was described by Ragtrader as a “veteran rag trader” with over 30 years experience in the fashion industry, with Ragtrader also describing Phoebe Garland as a ” Power Agent”. Between the two of them, Phoebe & Robert Garland have over 50 years sales experience in fashion, publishing and advertising. Garland & Garland Fashion is a leading boutique fashion agency based in Sydney and they are regularly sought for comment from various media on business fashion topics and issues. Phoebe Garland was one of the judges for The Spirit of the Black Dress in 2012 (LMFF).

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Relaxed style for the modern man




For men who want to look stylish, yet relaxed and don’t want to wear a suit, Utility is their label of choice. Taking the best of men’s tailoring and combining it with great shirts, jeans, chinos and knitwear, Utility mixes quality fabrics and modern fits with a nod to old-school construction.

They believe style is about more than the cut of your shirt or great fitting pants or the quality of your jacket. It’s about the attitude you put on every day and wear with confidence. That’s why they highlight the details in their clothing, so that when you get dressed everyday, you’ll see the craftsmanship and construction of their clothes and know that they’re as confident and stylish as you are.

Utility is inspired by the easy Australian lifestyle of city living, the beach, lush countryside and tropical climates and they are hand crafted in Sydney Australia, in small quantities to allow you to create your individual style.

We recently had a chat with the iconic lifestyle brand to delve further into their history; discover the inspiration that `plants a seed’ for the next collection; and the process behind their design before they exhibit the range next month at Premiere boutique trade event from 26-28 August at the Royal Exhibition Building.

Tell us about the history behind the brand? When it was first started? Why? and how?

Christiaan has worked in the Australian fashion industry for over 20 years and for most of the big names in the business.  Richard has been managing creative teams for over 15 years and is now the General Manager of Dinosaur Designs. We first started the brand in 2010 as a way to design and make the type of clothes we love and for which we knew there was a gap in the market.  We wanted to build a quality international brand that reflected contemporary Australia and was manufactured here.  Like most men, we want clothes that will last for more than one season and still look good, or even improve with age.

We originally started with a financial backer but she got in to trouble with the GFC, leaving us with a very tough decision to make.  As we were already well into it, had received orders and invested our own money, we chose to continue on smaller scale. We’re in our third season and still enjoying every minute of it.

Where do you source your inspiration? And how do they drive you and influence your design?

The theme for a season can come at any time and from anywhere. It can be an image, a piece of fabric, a passage from a book, a film.  It’s usually something that ‘plants a seed’ in my mind for a long time and feeds into, or expands previous ideas.  The internet has democratized research, but by itself, that can be a bit dry, it has to be evolved to create your own point of view. The inspiration for the Summer 12 collection was a photograph.  Inspiration for Winter 13 collection started for me with a single piece of Italian cotton shirting – I was besotted with it.  That one little piece of fabric has informed the whole range, as I went about sourcing fabrics to work back with it. I’m really thrilled with the way it has all come together, so I think that listening to your gut instinct can’t be beaten.

How do you transfer these inspirations into design? Talk us through your design process from drawing board to in-store/online?

For me it’s a case of finding the fabric to fit my theme, taking the inspirations I have and starting to sketch. There’s no point in sketching and then trying to find a fabric to match, the fabric’s such a big influence on the final piece.  From there I cut most of the patterns, which in itself, can lead to other new ideas and then I make the toiles myself before handing them over to the manufacturer.  I try and work as closely as possible with the machinists in the factories to achieve the look I want.

Can you tell us the story behind the name?

We wanted something that would convey that good quality clothing wasn’t for just for special occasions, that well made clothes should be for everyone to wear every day, for a long time.  Hence ‘Utility’.  Disposable fashion is extremely environmentally unsustainable as brands dive to the bottom in terms of quality of fabrics and working conditions.

We wanted to create something that would look good, last more than a season or two and focus on sustainable practices. We worked closely with an amazing graphic designer called Marita Leuver from www.leuverdesign.com.au who created our stunning graphics and gave “Utility’ its polished high-end look.

You are about to showcase the brand at Premiere in August, why did you choose this event and what do you hope to gain?

The Winter 13 collection, named HAZE, is our first ‘big step’ at taking the brand to where we want it to go from both a product and branding perspective. Premiere was the only choice for us in terms of getting our product to the largest number of people in the shortest length of time. As a new business we have to increase our exposure and get our product in front of the right buyers and media to gain new orders.

What’s in store for the future – where do you see the brand heading?

Ultimately, we want to have three strands to the sales side of the business; a vibrant wholesale business where we work with leading independent retailers and boutiques, a concept store in every Australian city and longer term, export into Europe, Asia and specifically the Chinese domestic market.

In terms of product, we’d like to increase our offering with more regular deliveries to store, a line of Australian hand made leather accessories and a line of underwear, which is already on the drawing board…

For more information on Premiere, visit our website premiere.net.au

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Road to Reveries




Images from Catherine Leon `Road to Reveries’ SS12/13 collection

Since the launch of her debut collection ‘Element of Freedom’ in 2011, Catherine Leon’s self-titled label has been praised for its attention to innovative detail, impeccable alignment of prints, versatile offering of wardrobe staples and overall accessibility.

From a young age, Catherine’s inspiration and creativity was strongly influenced by the talented works of her seamstress aunt. Captivated by her flair and ingenuity, Catherine embarked upon her own journey into the fashion world.

Studying at RMIT, Catherine perfected her skills in pattern making before becoming accepted at the prestigious Melbourne School of Fashion and specialised in product development and design. Not long after graduation, Catherine was selected as a finalist in the 2011 Fashion Exposed Debut competition and took out the top prize.

Now she is preparing for her first solo exhibition at Premiere boutique trade event for exclusive brands from 26-28 August at the Royal Exhibition Building. Read our chat with Catherine below where she reveals how ancient history influences her design work; how the Fashion Exposed Debut win has helped her brand; and preparing for Melbourne Spring Fashion Week.



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